DAYTONA had to work. As the pace car for this five-week circuit, it had to be damn near perfect; to many, it lived up to expectations. If the long-awaited true follow-up to My Name is My Name was anything less than stellar, the already mild anticipation for the rest of Wyoming would have dried up even quicker. Serving up the purest brick of Peruvian white, the G.O.O.D. Music President delivered his best solo project to date with DAYTONA; raw, cut with no filler whatsoever.
Ye & Mike Dean really shined with the minimalist production paired with gritty sampling to create a menacing atmosphere. His delivery is grimy, yet relaxed and confident like it hasn't aged a day since Lord Willin'. Most importantly, there were no stale bars or wasted lines from Push; similar to a technical boxer accruing points over the course of a fight to earn the decision in the 12th round, as opposed to the knockout artist getting winded by the fifth bell. For an added measure to retain maximum attention towards Wyoming, there was "The Story of Adidion."
Terrance and Aubrey have traded their fair share of subs in years prior (essentially over a BAPE hoody), but after the scope of the battle was lined up with "Infrared," Drake quickly responded with a clip that has presumably in the chamber for a while, saved for a moment like this. "Aight, bet," said the Virginia Beach native and proceeded to expose a lot of shit about Drizzy that the public wasn't privy to (sidenote: you're allowed to enjoy Scorpion AND still think "YOU ARE HIDING A CHILD" is hilarious too. Let these jokes breathe).
There's an unconfirmed report from a credible source that Ye learned about Aubrey's now-public son when he brought Drake to Wyoming for a writing session. If this is true, it's very possible that Kanye gave this ammo to Pusha-T, strategically use him as a conduit to create a huge controversy for maximum attention. If so, it might be time for Kanye to reevaluate his promotional tactics. The numbers and metrics may have inflated because of it, but is a (supposed) shady move like worth a loss of credibility, Ye?
2. Nas and Teyana Taylor deserved better, especially Teyana
Teyana Taylor signed to G.O.O.D Music in 2012. Since then, she's had 1. a few placements on Cruel Summer; 2. released VII, a solid, but under the radar studio album; 3. an incredibly skilled and sexy performance for the "FADE" music video. Limited as they may be, she has shined with every opportunity given to her and has been patiently waiting to show the world why she should be considered a true force in RnB. An album executively produced by arguably one of the most important producers since the start of the millennium was supposed to launch her to that height.
Keep That Same Energy deserved a traditional and proper rollout, complete with lead singles and visuals to match. Hell, at the very least, she deserved a completed album. Waking up to texts from friends, the day after it was supposed to drop (!), when it didn't, to realize it wasn't the final version you thought was coming out (!!), should never be the way to first hear your "completed" album. Teyana sang her ass off on KTSE, but the production and final mixing arrangment felt incomplete.
And with Nas, I don't know. Maybe Escobar Season was experiencing Climate Change 'cause this ain't it, chief. And he knows that. The album felt rushed and disjointed, as if the lyrics were recorded acapella and blindly matched to beat stems at the last minute, without any final input from the artist.
On the process of recording with Kanye. “Wyoming was weird.” 😅 pic.twitter.com/5dX9cv5auB
— Eric Diep (@E_Diep) July 27, 2018
When I heard the news about NASIR, I was expecting seven "We Major" level tracks. That bar was set way too high. But it looks like a more carefully thought out, traditional hip-hop project from Nas is coming soon:
And another Nas album on the way. He has been in with Swizz Beatz and RZA. pic.twitter.com/E9uaZLvi0o
— Eric Diep (@E_Diep) July 27, 2018
3. Rev. Ty Dolla $ign and 070 Shake are co-MVPs of the Wyoming Summer League